BA (Hons) Bespoke Tailoring

I am going to graduate from BA (Hons) Bespoke Tailoring course in London College of Fashion. With an additional degree from previous university in Fashion design and Production mainly in woman's wear. Interned in Alexander McQueen Men's department for a few months. Interested in Man's high street fashion and Tailoring. Good at Bespoke Tailoring hand craft skills, pattern cutting and computer work. Speak in English, Cantonese, Mandarin and a little Italian. Suitable to work under pressure, good at communication and learn fast. Please feel free to contact me by e-mail, w.ho15@fashion.arts.ac.uk d296059569@yahoo.com.hk wendy_ho_0701@yahoo.com.hk or by phone +44(0)7411600161

FdA Cordwainers Footwear Design

"GEOLOGY OF SHOES" Project is taking inspiration from sediment layers and from effects of erosive processes in nature as well as from traditional shoe making techniques. Special construction method has been developed and used across the collection. Multiple layers of leather scrap pieces are added on the last and subsequently sanded down to achieve the final shape and unique colour pattern of the shoe. Colour scheme is influenced by old geological maps. Barbora's work reflects deep technical knowledge and creative competence. She likes to challenge classic shoe making techniques, yet use them with respect and celebrate its value. Playful and inquisitive thinking brought into old craftsmanship is what makes her work strong and unique.

BA (Hons) Fashion Contour

Lingerie specialist focused on brand and design. Graduate collection is inspired by Tereza’s character in the novel ‘The Unbearable Lightness of Being’ by Milan Kundera. The range tells the story of her moments of ‘lightness’ and ‘weight’ through use of fabric, silhouette and colour. Bone castings grow out from seam lines that alter the body’s silhouette, exploring the answer to Tereza’s question when she wonders, “if various parts of her body began to grow and shrink and [she] no longer looked like herself, would she still be Tereza?”. Enthusiastic about creating a brand identity that is relevant and offers an experience - telling a story through products that focus on detailing, particularly using hand finished techniques, to create appropriate yet unexpected designs for the target market and consumer. Previously worked on industry projects during studies, both in commercial and luxury areas, including participating in the Triumph Inspiration Award and winning first prize for a swimwear collection designed for Gilly Hicks. Lived in Switzerland working in the Brand Management department at Triumph International during placement year, working across a variety of areas including range planning, product development and marketing communications. Also has experience in lingerie retail working at luxury label Myla London, using product knowledge and doing fittings to meet customer needs and wants. Image Credits: 1 & 2 Womenswear and Millinery by Rebecca Morter Accessories by Helena Dillon Photography by James Rees Creative Direction by Rob Phillips Beauty by Pace Chen Model, Ellie Jackson at Select Model Management (Verve) Press: http://idolmag.co.uk/blog/london-college-fashion-13-ba-graduate-show http://www.vogue.co.uk/fashion/spring-summer-2014/ready-to-wear/london-college-of-fashion-ba/full-length-photos/gallery/1004238 http://showstudio.com/blog/post/lcf_presents_their_2013_ba_graduate_show http://trendoracle.com/722162/lcf-presents-their-2013-ba-graduate-show/

BA (Hons) Technical Effects for Performance

A creative and imaginative designer/maker with experience in film, television and theatre. evebradshaw05@gmail.com 07927111501

BA (Hons) Fashion Jewellery

Katharine Anne Taylor, ‘KAT’, graduated from London College of Fashion with a BA(Hons) in Fashion Jewellery. To compliment her studies, KAT gained experience in jewellery and accessory design and production in both jewellery and fashion design studios. From ethical contemporary silversmith Ute Decker to Vivienne Westwood and Holly Fulton. KAT’s efforts to explore craft and responsible design and production have been combined with studies in to human form, ergonomics and sentimentalism to create a variety of statement fashion accessories. The current collection ‘Twisted’ explores luxurious, bespoke accessories. “Luxury is comfort. To me, comfort comes from quality materials, fit and an emotional connection with an object, something that is catered for in bespoke design.” ‘Craftech’; the development of craft with digital processes, is used to mimic hand forged hot metal work forms into different materials. Using the traditional blacksmithing technique of twisting, KAT develops forms on 3D software such as Rhino to create files for CNC machining. Using soft, warm English Walnut wood creates striking frames that are light and comfortable. The pieces celebrate and accentuate fluid curves and twisting forms. The combination of Walnut and Brass detailing reflects KAT’s appreciation of traditional products, but the use of digital processes transform the materials into eye catching contemporary pieces. “Living in London fuels my creativity, I love the vibrance and diversity of the City, but I often find time to enjoy the outdoors. My designs are a reflection of life between the natural and the manmade and the way I see the world around me.” Continuing the development of her eyewear for the designer market, KAT is concentrating on materials and local manufacturing research to inform her support of British Fashion production. As well as her own projects and commissions, KAT is seeking collaborative projects within the jewellery, accessories and eyewear industries. info@katharineannetaylor.com http://uk.linkedin.com/pub/katharine-anne-taylor/42/205/307/ http://my.lcffirstmove.co.uk/graduates/7819 PRESS http://www.vogue.co.uk/fashion/spring-summer-2014/ready-to-wear/london-college-of-fashion-ba/full-length-photos/gallery/1004104 http://www.fashion156.com/daily-blog/london-college-of-fashion-class-of-2013-catwalk-show/ CREDITS LCF Press Runway Collaboration 2013 Eyewear by Katharine Anne Taylor Menswear tailoring by Andreas Kristoffer Feet-Martinsen Bags & Belts by Stevan Saville Photography by James Rees Creative Direction, Rob Phillips Beauty, Pace Chen Model, Luke Walker at AMCK Models PROJECTS Fashion Jewellery design for Save the Children Charity, 'Born to Shine' Campaign http://www.ecouterre.com/london-fashion-students-turn-silly-bandz-into-bespoke-jewelry-for-save-the-children/ http://www.handbag.com/fashion/news/a424412/london-college-of-fashion-teams-up-with-save-the-children.html http://housepr.com/london-college-of-fashion-creates-bespoke-‘born-to-shine’-jewellery-with-save-the-children/ BLOGS http://blogs.arts.ac.uk/fashion/2012/04/12/jewellery-designer-featured-in-fashion-film/

FdA Fashion Design Technology (Surface Textiles)

Mien was born in Hanoi, Vietnam. Specialise in embroidery, she desires to bring haute couture to South East Asia where customers can discover her beautiful while waiting for their garment. She pours herself in improving local handcraft and creating new skin fabric through recycled materials and asian material. She is also an animal protector and eco-friendly. EDUCATION FdA Surface Textiles at London college of Fashion || 2011-2013 Foundation in Arts and Designs course, at Northumberia University, Newcastle Upon Tyne || 2011-2012 SKILLS - Embroidery specialized machinery: tanaka, tufting, cornely, irish, CAD various range of hand embroidery techniques include macramé, lace making and gold work Laser cutting Printing (screen, heat-press, sublimation; free hand print and paint with procion, acid dye, discharge & devore) Dyeing ( ombré, tie-dye ) Knit (both hand and machine) Jewellery and accessory making Basic Pattern Cutting (flat and stand) Adobe Creative Suite (Photoshop, Illustrator, InDesign) WORK EXPERIENCES Created costume for Axolotl exhibition at National History Museum, collaborated with Tomoko Onimaru || 2012 Group work show in LCF Fashion Show at Museum of London || 2012 Thomas Tait: Cutting pattern/Pleating/Hand finishing || Sep 2012 Lucas Nascimento: Hand finishing/Linking knitted garment/Cutting pattern || Oct2012-now

BA (Hons) Bespoke Tailoring

research poetic meaning of 'casting' through one piece patterns and fabric.

FdA Fashion Design Technology (Designer Pattern Cutter)

Tomoko Onimaru is attending London College of Fashion, FdA Fashion Design Technology, Design Pattern Cutter, Year 2. Born in Japan in 1988, she completed her BA Space Production Design, Fashion Design Course in Kyoto University of Art and Design in 2011. During FdA 1st year at LCF, she studied Surface Textile in Central Saint Martins, Short course, Textile Workshop. Tomoko Onimaru is a Womenswear Designer good at clean cutting, over box shaped silhouette and combing different texture of fabrics. She is central to create the mood of elegance and cleanness for independent women and puts importance on garment's functions such as right weight, well-ventilated, heat retention and variety of inside pockets so that people's life can be more comfortable, safety and active in daily life and other special occasion such as travel. For AW13 called 'Clean Freak', she took a inspiration from the nurse costume in 1960. She applied high neck collar, double layered collar, square shaped armhole and complicated belt line into her collection from the distinguishing old nurse costume using the combination of leather, silk and wool fabric. In her graduation work in Japan, she designed down jackets combined with biker jackets to create a new type of winter outwear which is light weight, easy to move, functional, and sophisticated. SS14 is inspired from the Balinese historical costume and lace garments that is wore in their daily life. This collection's concept is 'Luxury as comfortable'. She tried to design luxury garments which is easy to wear in very hot environment such as resort place using cotton, lace and leather. Her latest collection AW14 is inspired by a film 'Working Girl' (1988) and historical fencing costumes. She created elegant sporty mixed style for independent woking women. The characters of this collection are variety of quiltings and paddings fabrics. FdA Fashion Design Technology, Design Pattern Cutter

BA (Hons) Fashion Design Technology: Womenswear

Image 1 & 2 'Come as you are' editorial Published in Urban Coco Magazine Photography Vikky Ivie Photography Styling Cassie Walker / Vikky Ivie Assistant Jenna Roberts Hair / Make Up Louise Hall Model Holly @ Bookings Jewellery: Liron Kliger Fashion Jewellery EDUCATION: London College of Fashion // 2012 – 2013 BA (Hons) Fashion Design and Technology: Womenswear London College of Fashion // 2010 – 2012 Foundation Degree: Design and Pattern Cutting (Merit Plus) Petroc // 2009 – 2010 Foundation Diploma in Art and Design: Fashion (Distinction) Petroc // 2007 – 2009 BTEC National Diploma in Art and Design: Fashion ( Distinction) WORK EXPERIENCE: Kick Ass 2 Costume Department // July 2012 Pattern Cutting intern d.richards10@fashion.arts.ac.uk

BA (Hons) Fashion Contour

I love to create fun and playful looks that appeal to the young and young at heart, for people who want to stand out from the crowd and get noticed. I have a passion for working with leather and have used this as the main attraction within my final collection.

BA (Hons) Fashion Design and Development

British born designer specialising in ready to wear Womenswear [Graduate Collection] The synthesis between reality and the mind fuelled initial concepts, delving into a realm of disordered anarchy subjected by mental affliction and internal condition. The concept of illusion and perspective further enhanced development employing the use of line and volume, generating a signature narrative with an abstract play on tailoring. A collection dominated by a minimalist approach, attention to detail and a muted palette of blue. [Industry Experience] Chalayan Assistant Production Manager; Black Line & Grey Line January 2012 / June 2012 Bolongaro Trevor Womenswear Design Assistant July 2011 / December 2011 [Education] London College of Fashion BA (Hons) Fashion Design & Development, First Class Honours September 2009 - July 2013 Warwickshire School of the Arts B TEC National Diploma: Fashion Clothing & Textiles September 2008 - June 2009

BA (Hons) Fashion Jewellery

A unique fashion jewellery designer, extremely exclusive personally handmade. Based in England/ Thailand. Website: http://pangpondpasaprates.com E-mail: spasaprates@gmail.com Blog: http://pangpondpasaprates.tumblr.com Facebook page: https://www.facebook.com/PangpondSurapornPasaprates Press: Grazia Ielo Fashion Stylist & Davide Ranieri Fashion Photographer presents a short interview to fashion designer Pang Pasaprates. http://www.davideranieri.com/en/fashionphotostyling-interview-designer-pang-pasaprates-london/ PP Pangpond Suraporn Pasaprates x Digits2Widgets at Digits2Widgets 2 July 2013 http://digits2widgets.wordpress.com/2013/07/04/d2w-in-camden-town-launch-night/ PP Pangpond Suraporn Pasaprates x OFF THE HOOK Magazine JULY2013 (Page 23) http://offthehookdigital.com/read/

BA (Hons) Fashion Design Technology: Surface Textiles

Copyright © 2013 Victoria Rowley An energetic and open-minded print designer who obsesses over experimental applications and illustrative drawing. With a trademark delicate hand, exotic subjects are florid and evocative. 8=========D My recent work, in a rather farcical and juvenile manner, set out to explore themes of fleshy surfaces and sexuality. The influence of imagery from the photography of Pierre et Gilles, and film such as Henri-Georges Clouzot’s L’Enfer, and that of the German Expressionist genre, led me to respond to the graphic compositions and carnal imagery using harsh contrasts of colour; over-saturated and suffused. Abstract interpretations with screen printing using devore, discharge and procion techniques onto silk velvet and organzas, intended to replicate the real sensuality and lustre of the skin. Using alternative methods in response to my findings, enlarged and distorted images of glitter and wax as an initial layer to the composition, was adopted in keeping to the uncanny as a regular motif. Interacting more exaggerated motifs of pearlescent lemon and lavender colours, with dark harmonious earth shades to make the smooth textures advance, and to radiate in a hypnotic quality. Such frivolity having integrated into print development, seeming to convey a very stylistic aesthetic, I wanted further exploration to circulate around a discussion on taste. It was all the more enticing to use figurative, hand-rendered applications to fully utilize the provoking combinations of imagery I was sourcing. As a reaction against notions of good taste, bad taste is fully explored through archetypical motifs of the grotesque and the beautiful, with the writings of Umberto Eco being of key influence. The outraged Eco’s humorously dry take on objects of American ‘Hyper-real’, (almost perfectly fake ornamental replicas of icons in European arts/culture), inspired me to juxtapose the crude imagery with more traditional academic art. Florid pencil drawings of botanics and genitalia with leafy foliage have evolved into monstrous print placements. Ref. to the Cockasaurus below: cock·a·saurus [cok-a-sawr-us] n (Earth Sciences / Palaeontology) any large carnivorous bipedal dinosaur of the genus Cockasaurus, common in North America in upper Jurassic and Cretaceous times: suborder Theropoda (theropods) chracteristics: the body of a tyrannosaurus rex and the head of a penis. [from New Latin, from Greek cockannos tyrant + sauros lizard] ------------------------------ EDUCATION: 8==D University of the Arts London: 2013 London College of Fashion BA Fashion Design and Technology: Surface Textiles: Print 8==D University of the Arts London: 2010 Central Saint Martins College of Art and Design Foundation Studies Art and Design 8==D British Institute of Florence: Summer 2009 Charles H Cecil Studios Life and Cast Drawing: Short course ------------------------------ INDUSTRY EXPERIENCE: 8==D Peter Pilotto: Pattern Cutting Intern: January-February 2012. 8==D Hermione De Paula: Print Design Assistant: August-October 2010. ------------------------------ ACHIEVEMENTS: 8===D LCF School of Design and Technology Annual 2013 for the BFC 8===D LCF School of Design and Technology Illustration Annual 2013 
8===D Selected as a participant for Fauna and Flora project 2013 8=D Producing T-shirt design entries for the Royal Horticultural Society
. 8=D Digital placement prints for a collaborative photo shoot with womenswear designers, Emily Bishop (dress) and Daniel Service (headpiece). 8===D 
 Selected as participant for Illustration 2013
 8=D Shortlisted for the "Nina de Yorke Illustration Award“ 2013. 8===D LCF Press Show, Collaboration with womenswear designer, Christina Tiran, July 2013 8===D Nominated for 'Texprint 2013' 8===D Collaboration work with Christina Tiran shown at the Textile Institute's 'Design Means Business' exhibition, Foreign & Commonwealth Office ----------------------------- SKILLS: 8=D 
 Adobe Creative Suite, CAD: Colour Matters, Ethos software for laser cutting, pattern scanner. 8==D 
 Technical drawing 8===D 
 Strong hand drawing and Illustration skills, experienced with life drawing 
8====D 
 Specialized in print techniques/equipment: including screen printing (Acid, Discharge, Devore, Procion, Polychromatic), digital printing, Sublimation, fabric dying. 8=====D 
 
Basic knowledge of flat pattern cutting and industrial sample machining. 8======D 
 
Knitting: hand and (domestic) machine knitting 8=======D 
 Embroidery: hand and machine (irish, cornely, tanaka) ------------------------------ PRESS: 8=======D 
 Showstudio: http://showstudio.com/blog/post/lcf_presents_their_2013_ba_graduate_show Vogue: http://www.vogue.co.uk/news/2013/07/02/london-college-of-fashion-ba-graduate-show Vogue: http://www.vogue.co.uk/fashion/spring-summer-2014/ready-to-wear/london-college-of-fashion-ba/full-length-photos/gallery/1004296 MyDaily UK: http://www.mydaily.co.uk/2013/07/02/london-college-of-fashion-ba-show-2013_n_3532173.html?utm_hp_ref=fb&src=sp&comm_ref=false ------------------------------ FULL CREDITS: 8==============D FAUNA & FLORA; #1,2 Womenswear by Emily Bishop FdA Fashion Design Technology (Designer Pattern Cutter) http://showtime.arts.ac.uk/emilyjayne Headwear by Daniel Service BA (Hons) Womenswear and Technology http://showtime.arts.ac.uk/danielservice Prints by Victoria Rowley Photographer: Kasia Wozniak Creative Direction: Rob Phillips Nail Art: Lauren Michelle Pires Beauty: Pace Chen Model: Sophia at Select HYPER-REAL; #3-7 Photographer: GMGP Beauty: Pace Chen Model: Sophie at Profile Models #8 CHRISTINA TIRAN & VICTORIA ROWLEY Womenswear by Christina Tiran BA (Hons) Womenswear and Technology http://showtime.arts.ac.uk/christinatiran Prints by Victoria Rowley Photography by James Rees Creative Direction, Rob Phillips Beauty, Pace Chen Model, Laura O’Grady at Select Model Management (Verve)  CATWALK IMAGES LOOKS 1-8: vogue.com LOOK 2 DETAIL: blog.arts.ac.uk

Access To HE Diploma (Fashion Media And Communication)

Fashion photographer based in London. Website- http://cargocollective.com/joshjonesphotography/ Contact- info@joshjonesphotography.co.uk

BA (Hons) Costume for Performance

A very determined and committed individual, who is constantly striving to develop her skills and achieve high standards of work. Possesses an enthusiastic interest in exploring the variety of construction, design and research methods. Has a passion for live performance, though is inspired by the creativity of the performance industry as a whole and is eager to extend her knowledge and abilities further. For any further information or C.V, please get in touch. Email: danicullen90@gmail.com

BA (Hons) Fashion Design Technology: Menswear

Copyright © 2013 Adrien Chen [Work Experience] Felicity Brown Studio Intern - pattern cutting, toiling, prints placement, collection finalising July 2012 - September 2012 Erdem Sampling Room Intern - sampling, pattern cutting, prints manipulation, show backstage January 2012 - March 2012 Ozwald Boateng Studio Intern - sampling, window display, sale space arrangement December 2011 Roland Mouret Studio Intern - sampling, pattern cutting, experimenting, show pieces production July 2011 - September 2011 [LCF 13 Press Show on VOGUE] http://www.vogue.co.uk/fashion/spring-summer-2014/ready-to-wear/london-college-of-fashion-ba [Final Year Collaboration] ‘Play becomes party - party becomes work - work becomes play‘ ~ Bauhaus Motto A final year collaboration between menswear student, Adrien Chen, and surface textile student, Antonia Beard. Inspired by the Bauhaus spirit, they started their final year journey with the Bauhaus motto in mind. ‘No longer can anything exist in isolation. We perceive every form as the embodiment of an idea, every piece of work as a manifestation of our innermost selves. Only work which is the product of inner compulsion can have spiritual meaning.‘ ~ Walter Gropius After the fashion of Bauhauslers being true to themselves while researching and designing, Adrien and Antonia then delved into their own unique cultural background and life experience in searching for things that would best define themselves and their aesthetic. ‘Two crazy minds. One raging collection.’ The two first met during the second year collaboration project. The invaluable experience furthering their belief in team work in that they could focus on things that inspire them the most. So they decided to have some more fun together for their final year project. As a menswear student, Adrien has always been more interested in creating shapes and developing his idea on stand and patterns rather than the traditional drawing-then-making process. The shapes and silhouettes for the final year project were developed by playing around the Bauhaus geometric aesthetic and reinventing the traditional Chinese patterns. Being playful and unconventional are the only rules, but feel free to break. For the printing design side, Antonia combined the intensity of Bauhaus painting style and the excitement of light and music from her clubbing adventure to come up with strong and fanatical printing design. Being a proud prints student who believes in traditional handcraft and screen printing process, Antonia completed all the printing with her own bare hands. By overlapping her print design with painstakingly accuracy and with only cyan, yellow, magenta, she achieves something truly extraordinary. With both of them focusing on what excites and inspires them most and paying attention to each other’s progress, they’ve tried their best to realise their vision and ambition. This unique and raving mad menswear collection is the sum of their final year collaboration journey. [Credit] >LCF 13 Press Show 1 - 22< Photos from: VOGUE.CO.UK http://www.vogue.co.uk/fashion/spring-summer-2014/ready-to-wear/london-college-of-fashion-ba >LCF Moving Annual 2013< Directed, Produced and Edited by: Danny Hall and Ben Ottewell for OWH Creative
Creative Direction: Rob Phillips 
Set Design: Lisa Price
 Music: Death Rattle - Do as you please 
Assistant: Riccardo Raspa http://www.riccardoraspa.co.uk >BFC Photo Shoot 1 - 10< Creative Director: Rob Phillips Administrator to Creative Director: Ruth Julius Photographer contributor: Justino Esteves www.justinoesteves.com Beauty: Pace Chen www.pacechen.com Melissa Wong Model: Liam Richards Felix Radford @ Select >FMP Line up Front & Back< Photography contributor: GMGP photography www.hillandaubrey.com Beauty: Pace Chen www.pacechen.com Melissa Wong Model: Joshua Moroney @ FM http://www.fmmodelagency.com >Adrien_Antonia_2013< Photography contributor: ChiaHui Liao http://www.chiahuiliao.co.uk/ Beauty: Pace Chen www.pacechen.com Melissa Wong Model: Joshua Moroney @ FM http://www.fmmodelagency.com >LCF 13 Press Show Back Stage with Tyler Rix< Photography contributor: Adrien Chen Model: Tyler Rix @ Elite London http://www.elitemodellondon.co.uk/

FdA Fashion Design Technology (Designer Pattern Cutter)

I am on the designer pattern cutter course at lcf doing womenswear. Interested in fashion design and illustration! looking for photographers and stylists to collaborate my contact address: neiman.k@hotmail.com

BA (Hons) Fashion Design Technology: Menswear

Patrick Um /SURGICAL COLLECTION PATRICK UM’S SURGICAL SPRING/SUMMER 2014 COLLECTION IS RE-INTERPRETATION OF THE CONCEPT OF “SURGEON”. UNDRESSING AND REDRESSING THE SURGEON, THE SURGEON'S UNIFORM IS TRANSLATED INTO BOYISH, PLAYFUL, CONTEMPORARY MENSWEAR. THE EXTREMELY CONCEPTUAL COLLECTION DIRECTED STRAIGHT TOWARDS THE CLINICAL SCIENTIFIC THEME CONTRASTING WITH SHARP ATTITUDE OF SURGEON. THE SURGEONS IN UM’S COLLECTION INTENTIONALLY REFRAINED FROM SHOWING ONLY COLD AND CHIC BUT TWISTED THE CLEANNESS OF THEM. THE GREY STERILE AND MUTED WORLD OF SURGEON AND HOSPITAL IS TRANSFORMED UNDER HIS SKILFULLY WIELDED SCALPEL. THE PATRICK UM’S SURGEONS HAVE CAREFULLY WELL-BALANCED BRIGHT COLOUR PALETTE AND PLAYFUL PRINTS INSPIRED BY PRECISE BEAUTY FROM VARIOUS MEDICINES. THE SILHOUETTE RESTRAINED AND SIT WITHIN CLEAN TEMPORARY MENSWEAR, ON THE OTHER HAND THIS IMPLIED DRASTIC PLAYS IN ITS PROPORTION; SUCH AS HIGH WAISTLINE, AND INTEGRATING TECHNICAL BASED TAILORING FEATURES AS A HIGH-END CREATIVE COLLECTION. MEANWHILE CLINICAL TEXTURE IN DYED LATEX GAVE THE WHOLE COLLECTION SOME WHERE BETWEEN CONSERVATIVE AND JUICY STORY. WHAT IS EXCITING IS THAT THE SERIOUS SURGEON IS YET ALIVE IN THE JOYFUL FANTASTICAL COLLECTION. THIS IS A COLLECTION THAT REVELS IN THE BEAUTY OF DETAILS, BOTH THE FAMILIAR AND THE FANTASTICAL. FROM HEAD TO TOE, GARMENTS REFERENCE AND EVOLVE FROM SPECIFIC DETAILS FROM THE WORKWEAR. BACK LOOP FASTENINGS, TIGHT CUFF BANDS AND SPECIAL SEAM CLOSURES ARE A VINYL GLOVED HANDFUL OF DETAILS THAT ARE STITCHED IN TO THE FINAL COLLECTION. WITH PRINTS RICH IN THE ICONOGRAPHY OF THE TRADE CAREFULLY BALANCED EXPERIMENTAL CONSTRUCTIONS AND TEXTILES, A PRECISE YET PLAYFUL BEAUTY IS ACHIEVED. THE RESULTING GARMENTS ARE DRENCHED IN DESIGNED DETAILS JUST LONGING TO BE DISCOVERED BUT IT IS THE NINE PRINTS THAT INSTANTLY CAPTURE THIS VIEWER'S IMAGINATION. “NOW, THE MERE MENTION OF THE WORDS 'HOSPITAL' AND 'SURGERY' CAN BE ENOUGH TO ENCOURAGE DAYDREAMS OF DREAD, AN AURA OF ANXIETY GIVING WAY TO DESPAIR BUT PATRICK UM PRESSED HIS STETHOSCOPE TO THE CLINICAL, COLD BODY OF THE THEATRE ROOM AND HIS EAGER EAR TUNED IN TO A DIFFERENT BEAT AND A REMIX OF FUNCTION AND FUN, A CHROMATIC CONCERTO OF CAPSULES, CONTRAPTIONS, CONFECTIONS, CURES AND CURIOSITIES.” - Style Salvage /Press Style Salvage http://stylesalvage.blogspot.co.uk/2013/05/lcf-ba-showcase-patrick-um.html Fashion Strikes http://blog.fashionstrikes.com/2013/05/20/patrick-um-surgeon-collection/ /Work Experience ＊ Duckie Brown: Menswear Design Assistant/Internship - New York, USA Jul 2012 - Sept 2012/www.duckiebrown.com ＊ Gareth Pugh: Womenswear Design Assistant/Internship - London, UK Jan 2012 - Apr 2012/www.garethpugh.net ＊ Peter Jensen: Womenswear Design Assistant/Internship - London, UK Aug 2011 - Sept 2011/peterjensen.co.uk ＊ Trine Lindegaard: Menswear Design Assistant/Internship - London, UK Jul 2011 - Sept 2011/www.trinelindegaard.com ＊ Cassette Playa: Menswear Studio Assistant/Internship - London, UK Jul 2011 - Aug 2011/cassetteplaya.com * Taurus Art Institute: Drawing Tutor/Job May 2004 - May 2005 /Education ＊ London College of Fashion, University of the Arts London BA (Hons) Fashion Design Technology Menswear Oct 2010 - Jul 2013/www.arts.ac.uk /Awards Winning a prize in 39th Joong-Ang Design Group Contest Nov 2008 /Credit ＊ Lookbook/Editorials Photographer_ KwangBok Jack Lee Hair and Make up stylist_ KyungJu Claire Chung Model_ Oliver @AMCK Management

BA (Hons) Fashion Design Technology: Womenswear

Seunghye Maggie Rhee BA (Hons) Fashion Design Technology : Womenswear This "Neo Survivor" collection has intention to reconstruct Russian nomadic costume into a modern shape within some insperation on skiwear as its modern and functional aspects. +Education University of the Arts London London College of Fashion: BA Hons FDT Womenswear +Work Experience Pam Hogg (Jun 2011 - Feb 2012) SS12 Paris fashion week/ AW12 London fashion week Vogue Korea (Jun 2006 - Oct 2006) Fashion Assistant

BA (Hons) Fashion Contour

London based Chinese lingerie&Fashion Designer who comes from a multilayered cultural background. Have always been a creative thinker with ability to see the 'whole picture' and be able to merge all art and contemporary influences into individual and cross-culturally designs. Accomplished at creative design and pattern cutting skills who believes in lingerie is all about self-expression which can combine both functional and sexuality and makes the best of woman’s looks, whilst controlling the body. My work is all about communicative power of contour with strong philosophy, to consider the flow around the body to demonstrate 'innovation' with sculptural paneling and simplified lines.My work is also inspired by oriental mood (both traditional culture and strong color palette) which combined extreme femininity and glamour with power to accentuate the beauty of the female body. The inspiration of my collection comes from an ancient style of Chinese calligraphy called Seal Characters so that my designs always go with abstracted lines mix with the geometric, modern structure silhouette and minimal clean-cut look to express the unique beauty of both Oriental and Western women, to make them liberated, sophisticated and powerful. Education 2009-Present London College of Fashion BA (Hons) Fashion Contour 2008-2009 London College of Fashion Foundation Diploma in Art and Design Professional Experience 05/2012-07/2012 Design assistant Aimer (China) 11/2011-04/2012 Studio assistant Bordelle（UK） Press:http://www.lingerieinsight.com/emagazines/li_28.php http://www.lingerieinsight.com/article-444-if-you-please-announces-elf-as-showcase-winner/ Contact Tel: 07572871198 E-mail: elf_zhouyue@hotmail.com elfzhouyue1988@gmail.com www.elf-zhou.com https://www.facebook.com/zhouyue.tl https://www.facebook.com/ElfYuezhou http://www.talenthouse.com/elfzhou