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Ninja Evangelista

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Renaissance Life 21

FdA Cordwainers Fashion Accessory Design

Fashion Accessory & Fashion Designer based in London DELA EVAs core values are to challenge common preconceptions of what fashion can or can’t be, meticulous attention to detail, courage to break rules and the dedication to a unique ability. For further information and full portfolio, please contact: n.evangelista@live.at


Maisie Willis

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LOOK 3 / EDITORIAL

BA (Hons) Fashion Design Technology: Womenswear

GRADUATE COLLECTION 2013 - POSTMODERN EXCESSES OF CONSUMPTION MY graduate collection provides a humorous interpretation of various postmodern theories of consumption. Starting with theories dating from 1950, the concept has been developed into a study of 2 particular forms of excess. OVER-EATING OVER-EXCERCISING THESE ideas, along with an underlying theme of late 80’s/early 90s media, have been fused together to create a hybrid of pieces that reflect the desire to constantly over-consume. EDITORIAL SHOOT Photographer / Polin Kuprin Model / Natalia Doktor Hair & Makeup / Giselle Fryatt Art direction / Maisie Willis EDITORIAL SHOOT 2 Photographer / Natasha Mann Stylist / Jaclyn Bethany, Rebecca Jackson

Kimberley Wincott

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YEAR 2 FIRST TERM: RANGE PLANNING PROJECT

FdA Fashion Design Technology (Designer Pattern Cutter)

Kimberley Wincott I’m an aspiring fashion entrepreneur with a natural creative instinct towards design and styling. I am particularly interested in mixing classic vintage and modern styles to create a vibrant and innovative look. I have studied Fashion and Art for four years during which time I was exposed to many disciplines. I am now excited to use this academic background in a commercial environment. I enjoy working individually as well as part of a team. It is very exciting for me to explore the possibility of furthering my passion for working in the design and styling world. INTERNSHIP PLACEMENTS: July 2012- September: RMO, Biscuit Building, 10 Redchurch Street, London, E2 7DD Press Assistant: assisting account managers and Showroom manager. Booking in and sending out samples. Liaising with publications, Answering emails and the telephones. October 2010 to Present Day: British Fashion Council, Somerset House, London assisting the team on event days. October to November 2010: Per Una Head Office, Draycott Business Village, Draycott Assisting with the Styling & photography for the in store guidelines. August to September 2010: Kluck CGDT, Cape Town (One of South Africa’s most prestigious Fashion design duo) Studio: Assisted Malcolm Kluck & Christiaan Gabriel Du Toit, pattern cutting, sewing, sending collection off to various press, dealing with clients, general errands. August to September 2010: Suzaan Heyns, Johannesburg (South Africa’s avant- garde fashion designer) Studio: Assisted Suzaan Heyns, pattern cutting, sewing, admin, Sending collection off to various press, dealing with clients, general errands. June to July 2010: Marianne Fassler, Leopard Frock Studio (One of South Africa’s most prestigious Fashion Designers,) Studio: Assisting Marianne Fassler, pattern cutting, designing, Sewing, Styling, model dressing and assistant at African Fashion Week. M: 07921157113 E: Kimberley@cdeng.co.uk

Cezanne Agatha Gramson

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Metallic Gold Leather Knit Dress

BA (Hons) Fashion Design Technology: Surface Textiles

Experimental textile creative embracing new technologies and merging them with old crafts; I create pieces fusing knit, embroidery, laser cutting and textile manipulation and have a strong understanding of proportion and the body with the ability to engineer and construct embellishment to enhance design on the body. All pieces designed and constructed are inspired by architecture and structure in nature. Exoskeletons and skeletons in particular have constantly been a point of fascination and through layering, contrasting and distorting my inspirations I push the development further via context, use of materials and scale. The focus is always on the textile first, the final design being a result of the 3D textile experimentation process. The 3D textiles are also developed digitally layering with illustration creating another unique way of interpreting and merging developments. Work Experience - Alexander McQueen (Textile Design) Work Experience - Burberry Work Experience - Alice Palmer (Knitwear) Education// 2009 - 2012 London College of Fashion: BA (Hons) Fashion Design and Technology / Knitwear First Class Honours 2008 - 2009 London College of Fashion - Foundation Art and Design www.cezanneagatha.co.uk

Ben Osborn

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BA (Hons) Fashion Design Technology: Menswear

contact: b_en_o@hotmail.com concept statement: http://issuu.com/benosborn/docs/press_release press: http://www.fashion156.com/collections/london-college-of-fashion-ba-graduate-collections-2013/ Photos 1-12 from vogue.co.uk

SeungMi Kim

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Side view

BA (Hons) Cordwainers Footwear: Product Design & Development

SeungMi Kim BA(Hons) Cordwainers Footwear: Product Design & Development SeungMi Kim expects to become a creative and modern brand that will represent contemporary shoes. Mainly, it is inspired by a variety of art theories, issues or arts work that is reinterpreted in a modern way. The value of the brand will be enhanced through combing work with special skills and each design has a significant meaning. “Changes in form, illusion and technology” This main concept of the A/W 2013-14 is ‘Cubism’ which was inspired by cubism painting and sculpture. It is based on cubism theory; the main objective is to reproduce the surface through three-dimensional view and the basic perspective rule is abandoned and shows the same object in different sides. These were combined with my design, which resulted in a modern conceptual and fashionable shoe. I used 3D printing, which was hidden rather than showing on the outside to give change to the shape of the shoe. To create an optical illusion a point colour was used. On the whole, the collection shows dramatic elements of materials, colour and design. - Contact detail - sui.seungmikim@gmail.com 07738333109

Francesca Jordan

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'Just a Hairdresser' Final Project.

BA (Hons) Make-up and Prosthetics for Performance

Friendly, humorous and a positive enthusiast in and outside of the workplace, where my confidence shows through my use of communication skills and interaction with other people. As a general lover of the arts I have a passionate attitude towards all things creative and inspiring, with a particular interest in all things visually pleasing, shocking and unexpected. This relates to my love of illusions and the impact they have in the performance industry.

Hiroe Haruki

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Paris

BA (Hons) Cordwainers Footwear: Product Design & Development

B R A N D C O N C E P T Mobility, Style & Comfort is the heart of Holiday footwear. The brand's ultimate goal is to establish a reputation for the perfect city holiday shoes - hence the name Holiday - for the women who are creative, independent and well travelled. P R E S S "When I saw Hiroe Haruki wearing her own shoes at the exhibition, I immediately thought of the possibilities should her shoes be taken to production stages. She hasn't just come up with a collection but a brand concept as well to create the perfect city holiday shoes. Travellers and nomads inspired Haruki to create shoes that unify techniques from various cultures. They are shoes that are meant to be well-travelled and well-worn. Using wet-molding, her soles are designed for practicality and comfort and the neon cord detailing gives the shoes the design oomph they need. Here's hoping Haruki and her shoes for Holiday take off." - Style Bubble (http://www.stylebubble.co.uk/style_bubble/2012/07/shoes-n-things.html) A B O U T With a background in product design, Hiroe has keen eyes in details, finding significance in experimenting with materials and challenging conventional construction whilst considering practicality. Hiroe has gained invaluable work experience at Celine, Chau Har Lee and Roland Mouret. She is currently seeking employment in the footwear/fashion industry. C O N T A C T Email: hiroeharuki@hotmail.co.uk


Ariane Delarue

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ISSUU - Ariane delarue lookbook by ariane

BA (Hons) Fashion Design Technology: Womenswear

www.arianedelarue.com Enthusiastic, hard-working person, with experience in fashion studios in both Paris and London. Good sense of colour. Skills in textile making, particularly screen print and hand dying. Keen interest in lingerie, luxurious finishing, and attention to detail. Craft person, with a conceptual approach to the use, and mix of materials such as porcelain, latex and wood alongside dress making fabrics. EDUCATION: September 2010 until present: London college of fashion, London: BA Fashion Design Womenswear 2008-2010: Ecole de la Chambre Syndicale de la Couture Parisienne, Paris: Graduate of BTS Pattern maker / Dress maker / Computer assisted pattern maker (Lectra system) 2005-2008: Ecole Supérieure des Arts Appliqués Duperre, Paris: Graduate of BTS Fashion Design womenswear June 2005: Lycée Andrée Boulloche, Livry Gargan: Graduate of Baccalauréat Général in literature PROFESSIONAL EXPERIENCES: July 2013: ALEXANDER MCQUEEN: Short mission as print designer for the creation of the 2014 Spring/Summer Scarfs collection. April 2012-August 2012: ALEXANDER MCQUEEN: Internship as print designer - creation of the prints for the Spring/Summer 2013 Couture collection - creation of the prints for the Spring/Summer 2013 Ready to wear collection September 2011- January 2011: 34chic.com : creation of the illustrations for the web-site http://34chic.com/es/ April 2011 until present: OUR PATTERNED HAND: Part time assistant in fabric and haberdashery shop, with sewing workshop - Offering making advice to customers - Stock management - Cutting and grading patterns for classes - Sample making July 2011: FELICITY BROWN: Internship as a fashion designer assistant - Toile construction - Liaising with suppliers - Pattern cutting - Production quality control 2009-2010: ETAM LINGERIE: Production assistant and pattern maker - Creating spec sheets using Photoshop and Illustrator programs - Attending fitting meeting with responsibility for fitting development through to sign off - Garment quality control September 2008 until March 2010: NUIT BLANCHE: Sale adviser and dress maker - Receiving and advising brides in the showroom with a luxurious quality service - Bespoke dress alteration (hand and machine sewing) August 2007: VALERIE SAID: Fashion designer assistant for accessories - Creation of the product marketing graphics, using photoshop - Photoshoot styling July 2007 : TORRENTE HAUTE COUTURE: Fashion designer assistant - Liaising with Fur suppliers - Design research - Reception of the customers in the Haute-Couture showroom

Alina Zamanova

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Peggy

BA (Hons) Fashion Illustration

I am a freelance Fashion Illustrator,artist,animtor,print maker. Please feel free to get in touch via email alinusikzam@gmail.com for any collaborations. My online portfolio http://www.cargocollective.com/alinazamanova http://www.behance.net/zamanova http://www.facebook.com/zamanova?ref=tn_tnmn http://instagram.com/alina_zamanova

Robyn Louisa Strong

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Robyn Louisa - Nolita Lace Suspender & Thong

BA (Hons) Fashion Contour

Lingerie Designer & Technologist. A dedicated, motivated and creative perfectionist with a true passion for luxury lingerie, from design to production and sales. Knowledgeable about all aspects of lingerie including development and technical; having gained valuable experience through working with Agent Provocateur, Kiki de Montparnasse, Myla and Harrods; through placements and employment. The final collection is inspired by hidden secrets of New York discovered during the designers time immersed in the city during placement year. Unexpected sights and brief moments of beauty are represented through laser cut leather, lace and silk realisations. Contact: email: robynlouisa@gmail.com mobile: 07553069699 Photoshoot: Photographer: Benjamin Carr Evans Stylist: Katharina Geissler Model 1: Jessica Priestley Model 2: Kristina Guberman MUA: Hannah Powling

Gloria shizico yi

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lookbook white 2013, photographer B J Boyle

BA (Hons) Fashion Design Technology: Womenswear

gloria shizico yi is a london based artist, works on fashion, textile design, oil, drawing, film and mixed mediums. follow her fashion page on: https://www.facebook.com/pages/Gloria-Shizico-Yi-fashiontextile-deSigner/324675224280709 visit her art website: http://shizicoyi.wix.com/shizicoyi contact by email: shizicoyi@gmail.com or contact her through showtime "send a message" box on the right hand side. debut directing fashion shortfilm https://vimeo.com/70291077

Yueh-Ting Lin

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The Dark Elf

BA (Hons) Costume for Performance

.As a self-motivated, hardworking costume designer, I am able to use initiative and possess excellent problem solving skills, continuously pushing my abilities to achieve the highest standards of work. I have strong skills in costume making, design and research. Inspired by both historical women’s and men’s wear, I am looking for a role in costume construction to gain experience and utilize skills learnt after graduating from London College of Fashion. Email: yuehting8@hotmail.com Contact: 07598171619

Hue Tawn Chan

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BA (Hons) Fashion Jewellery

London based jewellery designer Hue Tawn Chan graduated from London College of Fashion (2013) with degree in BA (Hons) in Fashion Jewellery. Fascinated by the creative intricacy of knots and developing the idea of cleverly interweaving metal strips around the body, this contemporary collection features 3-dimensional easy to wear, unique statement jewellery, including bangles, rings, nipple clips and brooch pins. All pieces in the collection are silver plated and handmade in London: Ranging from shape forming, polishing, and dip dying. For further enquiries please contact: huetawnchan@hotmail.co.uk IMAGES 1- 8: Ring and Bangle Collection Photographer: Davide Ranieri, Stylist: Grazia Ielo, MUA: Aria Hussain, Model: Marta 9-14: LCF Press Show http://www.vogue.co.uk/fashion/spring-summer-2014/ready-to-wear/london-college-of-fashion-ba/full-length-photos/gallery/1004212 15: LCF Press Show Womenswear by Randolph Turpin BA (Hons) Fashion Design and Development http://showtime.arts.ac.uk/randolphturpin Photography: James Rees, Creative Director: Rob Phillips, Beauty: Pace Chen, Model: Laura O’Grady Select Model Management (Verve) 16: Nipple Clips Photographer: Ricardo Raspa, Creative Director: Rob Phillips, Model from Select 17-26: Graduate collection Photographer: Polin Kurpin, Hair and Make Up: Shining Shen, Model: Tia O'Donnell 27: 2013 School of Design Technology Annual Womenswear: Randolph Turpin, Photography: Hill & Aubrey, Model: Amber at Select 28: Dark Fairy Tale Collaboration See full magazine: www.joomag.com/magazine/frow-magazine-issue-1-2013/0389006001368895868

Brogan Toyn

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WINNER : Diversity NOW! In association with i.D

BA (Hons) Fashion Design Technology: Menswear

JAMAICAN ME CRAZY'Don't want Jackie, Give dem Paul instead, Dem don't want di sweetness between di leg..' Banton, B . (1992) Boom Bye Bye. Jamacia: Shang Muzick Brogan Toyn’s S/S 2013  graduate collection, ‘Jamaican me Crazy’  contends against frequent homophobic dancehall lyrics, by creating ‘expressive’ street wear for the modern man.  Through the amalgamation of research, aggressive 90’s hip hop trends are combined with the promiscuousness of Jamaica’s dancehall Queens, consequently redefining common contemporary constructions of the male identity in contemporary fashion. Collaborating with textile designer Zoe Sterling, ‘Jamaican Me Crazy’ ignores familiar connotations of masculinity in order to create an unconventional sportswear S/S13 Menswear collection. Juxtaposing common culture with subcultures, Brogan creates clothes for men willing to push image boundaries beyond the norm of the day, instead hyper exaggerating them. Representation of the black gay male in contemporary fashion is relatively absent as patriarchal values still influence the majority. Although, commonly it has been long thought that it is a homosexual customer that consumes outlandish modern menswear trends. Something which has been allegedly underground , emerging in the 80s and 90's and documented in films such as Livingstones 'Paris is burning' is now becoming a trend. Queens. Proportions within ‘Jamaican me Crazy’ remain unbalanced due to the amalgamation of inspirations. Influenced prominently by the provocative outfits of the Jamaican dancehall Queens, the collection rearranges masculine shapes in order to reverse gender restraints. Referencing dancehall contemporaries in hip hop,  Brogan adopts classic street style proportions to conflict with risque silhouettes, crop tops vs. basketball shorts. Focusing heavily on the context of colour within menswear and in order to balance an overtly sexualized concept, a juxtaposition of colour has been enforce. Enhanced pastels compliment the risqué silhouettes as they distract from erotic undertones and encourage the energy of the dancehall. Unconventionally luxurious, Brogan does not use classic performance fabrics. Instead, collaborating with textile designer Zoe Sterling, sequins adorn nearly every look and increase the collections flamboyance. Rainbow furs creep along the edges of garments while tight crotches are emphasized by printed, metallic lurex fabrics. As ‘Jamaican me Crazy’ adopts outlandish street style and contradicts obvious urban aesthetics, sequined crop tops only emphasize this further. Sequin Print Textile Collaboration Zoe Sterling BA (Hons) Fashion Design Technology: Surface Textiles z.sterling1@arts.ac.uk http://showtime.arts.ac.uk/ZoeSterling WINNER .Winner of fashion design category and overall judges choice. All Walks Beyond the Catwalk - Diversity NOW! in association with i-D. http://i-donline.com/2013/07/diversity-now-winners-announcement/ Photography: Anthony John Sayer, Creative Director: Rob Phillips, Beauty: Pace Chen, Model: Flash, Textiles Print: Zoe Sterling WORK EXPERIENCE .Christopher Shannon, London Menswear Design Intern .Von Sono, London Design Intern .Fannie Schiavoni, London Jewellery Design Intern LCF 2013 ANNUAL http://issuu.com/london_college_of_fashion/docs/sdt-annual-2013 LCF 2013 MOVING ANNUAL https://www.youtube.com/watch?feature=player_embedded&v=wj1fm39ha-o PRESS http://www.vogue.co.uk/fashion/spring-summer-2014/ready-to-wear/london-college-of-fashion-ba/full-length-photos/gallery/1004093 - IMAGES 1-9 http://wgsn.tumblr.com/post/50644377782/cosmic-we-love-lcflondon-student-brogan-toyns http://i-donline.com/2013/04/diversity-now-the-finalist-cut/ http://i-donline.com/2013/07/i-want-to-play-a-game/ http://noctismag.com/ http://www.thestylelane.com/#/lcf13-runway-show/4577776766 http://adorngirl.tumblr.com/post/54533706290/backstage-lcf-2013-graduate-show# http://www.mydaily.co.uk/2013/07/02/london-college-of-fashion-ba-show-2013_n_3532173.html?ncid=edlinkusaolp00000003 http://www.pigeonsandpeacocks.com/editorial/the-glorious-graduates/ http://blog.stylesight.com/denim/isko-x-london-college-of-fashion http://www.ameliasmagazine.com/fashion/london-college-of-fashion-ba-hons-graduate-catwalk-show-2013-review-part-two/2013/07/22/ JAMES REES CREDITS Photography: James Rees, Creative Director: Rob Phillips, Beauty: Pace Chen, Model: Joel P. ISKO PROJECT CREDITS Project ‘Design Denim’ supported by’ ISKO™ Photography, James Rees Creative Direction, Rob Phillips Beauty, Pace Chen Model, Paul Farley at Select


Zoe Chandler

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Project ‘Design Denim’ supported by’ ISKO™ Photography, James Rees Model, Harriet at Select Overall winner-Placement in

BA (Hons) Fashion Design Technology: Womenswear

‘DESIGN DENIM’ collaboration project with leading denim manufactures ISKO™ ISKO Project Credits: Zoe Chandler Project ‘Design Denim’ supported by’ ISKO™ Photography, James Rees Creative Direction, Rob Phillips Beauty, Pace Chen Model, Harriet at Select Overall winner - Placement in ISKO ™ Creative Room, Bergamo, Italy. FINAL COLLECTION ‘A Clash of Class’ Looking at the unattainable idea of ‘achieving classlessness’ this collection is an aesthetic mix of casual sportswear and lavish luxury. Research was inspired by the typically British obsession with class. Initially my focus was the world of horseracing; and I became fascinated with this world within a world where class barriers are united and interact with apparent ease. Focusing on working and upper class imagery I combined the simplicity of the working class jockey’s uniform and the ubiquitous ‘bomber jacket,’ with detailed hand crafted details and finishes. I like to reinvent classic garments that people will always recognize and will always want to wear. I became intrigued with encasing wide elastic, synonymous to ‘trackies’ with luxury fabrics such as mohair and organza. Elastic created interesting forms, which led to the development of interesting silhouettes. My work is always process led and I design through creating 3D textile samples. Through constantly creating samples, interesting ways to manipulate fabric become apparent, which I then use as a basis for all my design work. I am focused on the finish of garments, and constant 3D manipulations help to realise the final idea of detail and finish. In this collection I have experimented with various juxtapositions of colour, silhouette and surface textile. Subtle shades of pink and white are highlighted with bright brazen colours of red, yellow and turquoise, derived from the jockeys’ silks. These create eye-catching accents throughout the collection. Simple graphic shapes become intricate details through using techniques of laser cutting and embroidery. Strategic slits in leather form segments of a diamond, which are then folded back and finished uniquely by hand. This created an interesting lacey but geometrically inspired look. Linked to this I used circular embroidered fabric fused to organza, cut in a variety of shapes. I achieved a delicate feminine textile that subtly repeated the idea of using simple shapes. Beautiful zips then created details in the delicate textiles, and reinforce the casual but opulent aesthetic. EDUCATION: 2010 – 2013 The London College of Fashion: BA(Hons) Fashion Design Technology: Womenswear First Class Honours 2009 – 2010 Chelsea College of Art and Design: Foundation Diploma in Art and Design WORK EXPERIENCE: May – July 2012: Full Time – New York Marc Jacobs International, Sample room and Trim Assistant Sep 2011: Full Time – London Jonathon Saunders, Runner and Studio Assistant Jan – Mar 2011: Part Time – London Hermione de Paula, Studio Assistant, I would like to thank Samuel Tweeds, Riri zips and Bischoff for their kind contributions of mohair, zips and embroidery used in the collection. http://www.samueltweed.com/ http://www.riri.com/ http://www.bischoff-textil.com/

Seth Chun Yip Yeung

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HK Fashion weekSS14

BA (Hons) Fashion Design Technology: Surface Textiles

Seth Yeung is born January 1st, 1987, raised in Hong Kong. His mother, Kuen gave up her career for her family. Within few years She started from working as an apprentice to manager in charge by her passion for knitting and forward creative thinking. Given an innate interests and talent of knitting, Seth Yeung entered London College of Fashion, majoring Knitwear. During his studies, he explored his interest in creating exquisite and experimental knitwear by manipulating unusual material and different way of knitting; both hand knit and machine (industrial & domestic). His sharp cutting signature, attention to details and innovative knitting pattern engineering which reflects the burgeoning fresh voice, and strong edgy attitude. Before his BA studies at LCF, he studied 3 years in womenswear and worked as fur designer and digital print designer in Hong Kong, working with top brands like YSL, Yves Salomon and Roberto Cavalli. He also have worked in multiple trade shows for fashion week and HK Fur Fair. In 2010, Seth won the prestigious Hong Kong Young Fashion Designer Contest, using ground breaking combination of luxury cashmere, fox and 3D Hand beading in party and evening wear category. General info, press requests info@sethyeung.com www.sethyeung.com https://www.facebook.com/sethyeungofficial

Jessica Ng

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BA (Hons) Fashion Design Technology: Womenswear

JESSICA NG A/W 2013 So Wrong It’s Right. The A/W 2013 collection stems around the concept of twisted innocence and juxtaposes ideas of purity with the corrupted. It combines the familiarity of personal experiences with a touch of the forbidden that aims to evoke a mood of strange endearment. Many of the artists explored within the themes of this collection are individuals who had been previously condemned by society and even criminally prosecuted for their work because they violated the sacred ideology of childhood innocence. (e.g. Sally Mann, Irina Ionesco) However, we now live in a society that is more tolerant than it has ever been, in some respects, and is willing to entertain ideas of eroticism and childhood coexisting. At the very least, there is a curiosity to explore and investigate subjects within a new, modern context where one might reassess subject matter formerly regarded as offensive and find respect for each quality the image offers. Contrasting the serious subject matter of controversial photography with Jessica’s childhood memories of Garbage Pail Kids as well as saturated Egon Schiele paintings were integral in injecting fun and color to the collection. Vibrant colors and clashes of textures throughout were used to communicate a sense of unease, beauty and playfulness all at once. The primary fabric used in the collection is a syrupy sweet, pink Harris Tweed – ultra feminine with its color, but countered with oversized, masculine silhouettes and a rough, heavy texture. The weighty garments are combined with lighter pieces like sandwashed silk shirts and velvet embroidered leggings to contrast textures and add movement to the pieces. The exploration of draping and tailoring with unconventional finishes was also key in creating the collection. Many of the garments feature stitchless darts and disappearing details like pockets and collars using needlepunch techniques with inspiration taken from unfinished paintings where the lines of the body are finished by the eye rather than actual marks. // PRESS Highly Commended Finalist in i-D Magazine/All Walks Diversity Now Competition (Clothing Design Category) http://i-donline.com/2013/04/diversity-now-the-finalist-cut/ http://blogs.arts.ac.uk/fashion/2013/06/05/students-scoop-prizes-at-diversity-now-2013/ Pigeons and Peacocks Illustration Feature http://www.pigeonsandpeacocks.com/editorial/jessica-ng-fashion-illustration/ LCF BA 2013 ANNUAL SHOWCASE http://issuu.com/london_college_of_fashion/docs/sdt-annual-2013 ISKO x London College of Fashion http://blog.stylesight.com/denim/isko-x-london-college-of-fashion // WORK EXPERIENCE Band of Outsiders Design Intern (January 2012 – March 2012) Preen by Thornton Bregazzi Production and Design Studio Assistant (November 2010 – April 2011) // CREDITS DESIGN DENIM supported by ISKO™ Photography: James Rees Creative Direction: Rob Phillips Beauty: Pace Chen Model: Harriet at Select (1 - 2) BRITISH FASHION COUNCIL SHOOT Photography: Justino Esteves Creative Direction: Rob Phillips Model: Rebeca Marcos @ Models 1 Beauty: Pace Chen Nail Art: Lauren Michelle Pires (3 - 16) JESSICA NG A/W 2013 Photography: Alexandra Leese Model: Charli Howard @ Union Beauty: Chloe Han (*) i-D Magazine/All Walks Diversity NOW! Competition Photography: Anthony John Sayer Creative Direction: Rob Phillips Hair: Yura Do Makeup: Pace Chen JESSICA NG A/W 2013 FILM DIRECTED BY Jessica Ng and Christina Tynkevych CINEMATOGRAPHER / EDITOR Christina Tynkevych MODELS Rosemary Lambert Ashley Robinson PROSTHETICS / BEAUTY Helena Card TATTOO ART (Rosemary) Rex Holloway SPECIAL THANKS TO Rob Phillips Emma Williams & Craig Wah Day

Adriano Piccinini

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Butterfly high _ Photography by Francesco La Porta

BA (Hons) Cordwainers Footwear: Product Design & Development

For our University final major project I created FR&&K. The brand supports freedom in all its aspects and to do so collaborate with well estabilished brands to reinforce their message in fashion. The first shocking collaboration is with Durex. Working for Adidas and Vivobarefoot has made me question and re-think the concept of footwear. Humans have evolved for hundreds of thousands of years without the need for footwear. Shoes originated to fulfil the need to protect feet from heat, cold and other hazardous conditions that could cause injury. My understanding of footwear has reinforced my belief that the foot should be afforded maximum protection possible without compromising the foot anatomy. Studies show that the foot benefits by having the least amount of material possible separating it from the ground, so that the body can pass as much information as possible to the brain. Vivobarefoot shoes mimic the natural way of walking and running, therefore, improving feeling, posture, circulation and balance. These principles inspired the realization of my final collection. Barefoot shoes are all about promoting natural feeling, freedom and fun, thus the same can be said about Durex**. The feet and the genitals have among the highest concentration of nerve endings in the body, which are all interacting continuously with the brain. There are 7000 nerve endings in the feet alone and these receptors relay important information to the brain about the texture and temperature of the floor. The intention of this project is to generate a greater awareness of what natural walking and running could do to improve our lives. Seen from the outside the shoes look like trainers, but inside the inner construction embraces the foot in a seamless hug around the heel, while one of the thinnest outsoles in the market is hidden underneath. Contact +44 (0)78 26514906 adrianopiccinini@gmail.com *Durex is a trademark of Reckitt Benckiser. All rights reserved. **The project is a hypothetical collaboration and Durex is not involved in this project.

Christina Tiran

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BA (Hons) Fashion Design Technology: Womenswear

London based Fashion Designer and Illustrator WINTER DRESSES there is nothing more glamorous than wearing a dress in a snowy winters night. My very first vision and starting point of my final BA collection. This collection is a modern interpretation of imagery from pagan rituals still celebrated in villages in middle Europe and art and the occult. Referencing artist like Victor Hugo, Max Ernst as well as Paul Klee conjure up my fascination for occult and art. The mood of Fernand Khnopff painting gave me a platform for the aura I wished to create influenced with my personal aesthetics and design codes. Expressive oversized silhouettes, attention to finishing details and the use of crafts (knit) as well as the chosen materials and the sensitivity of colors are standards of my work. The ghostly silhouettes of my dresses as well as its transparent material are inspired by imagery from occult shapes and symbolism and costumes from pagan rituals. My collection is also featuring a few hand-knitted pieces with different size metal beads knitted into a silk- wool mix. These pieces go with chiffon dresses. All my colors are pale, transparent like a dreamy version of reality balanced with some dark nearly black tones. Education ≥ 2010-2013 London College of Fashion, University of the Arts London BA (Hons) Fashion Design Technology: Womenswear ≥ Spring 2012 Pearl Academy of Fashion, New Delhi, India Study abroad term ≥ 2009-2010 London College of Fashion Foundation in Art and Design Distinction ≥ 2004-2009 Federal School of Art and Design Graz, Austria Matura Distinction Personal Achievements • Press Show London College of Fashion, Collaboration with Print Designer Victoria Romley, July 2013 • 2 Outfits selected for “Young people’s fashion show”, Victoria and Albert Museum, December 2012 • Shortlisted for the „Nina de York“ Illustration Award“- awaiting result, Spring 2013 • Shortlisted for the „Nina de York“ Illustration Award“, Spring 2011 • Winner of the Daniel Sannwald Illustration Competition, Spring 2011 Photographer: GMGP Beauty: Pace Chen 0 Womenswear by Christina Tiran BA (Hons) Womenswear and Technology http://showtime.arts.ac.uk/christinatiran Prints by Victoria Rowley BA (Hons) Fashion Design Technology: Surface Textiles http://showtime.arts.ac.uk/victoriarowley Photography by James Rees Creative Direction, Rob Phillips Beauty, Pace Chen Model, Laura O’Grady at Select Model Management (Verve) 1 Research: Photography from Fernand Khnopff 2 Editorial shoot, own photography 3-11,13 Womanswear: Christina Tiran Photography: GMGP Beauty:Pace Chen 15-22 Illutration Competition Nina de Yorke, Materials: Pen on organza, photocopied

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